Master Color Grading This Year

Our courses are actively enrolling now. Join professionals already transforming their grading workflow with real-world techniques.

Advanced DaVinci Resolve Workshop

This isn't your typical software tutorial. We focus on the decision-making process behind great color work. You'll understand why certain choices work and others don't.

The course covers commercial grading workflows, client communication, and how to deliver consistent results under tight deadlines. We use actual commercial projects as examples—not demo footage.

  • Node structure that scales with project complexity
  • Working with Log footage from different cameras
  • Building looks that translate across delivery formats
  • Managing revisions without starting over
Professional color grading workstation with multiple monitors displaying video footage
Colorist working on high-resolution display with grading panel controls

Narrative Grading Techniques

Narrative work requires a different mindset than commercial grading. You're telling a story across hours of content, maintaining visual continuity while supporting emotional beats.

We break down actual feature and series work. How do you balance creative vision with technical requirements? What happens when you need to match footage shot months apart?

  • Building a cohesive look across multiple episodes
  • Handling mixed lighting and challenging footage
  • Collaborating with directors and cinematographers
  • Time management for long-form content

What to Expect

Foundation Building (Weeks 1-3)

We start with color theory, but not the academic kind. You'll learn how color psychology affects viewer perception and how to apply that to your grading decisions. Then we move into technical fundamentals—scopes, color spaces, and why they matter for your final output. By week three, you're already working on real footage.

Technique Development (Weeks 4-8)

This is where things get interesting. You'll work through different genres and delivery requirements. Each week focuses on a different challenge: matching camera angles, creating period looks, handling HDR delivery, working with limited color information. We provide raw footage from actual projects and you'll submit your work for detailed feedback.

Professional Practice (Weeks 9-12)

The final phase simulates real client work. You'll receive project briefs, reference materials, and revision requests just like you would on an actual job. Deadlines are firm. We want you to experience the pressure and problem-solving required in professional settings before you're billing clients.

Learn From Working Colorists

Portrait of instructor Petra Whitlock
Petra Whitlock
Lead Instructor

Petra grades commercials and music videos in Toronto. She's worked on campaigns for major brands and knows how to balance creative requests with technical delivery specs. Her teaching style is direct—she'll tell you what works and what doesn't based on fourteen years in post-production.

Portrait of instructor Siri Bergstrom
Siri Bergstrom
Senior Colorist

Siri specializes in narrative work and handles episodic television out of Vancouver. She's graded shows you've probably watched and understands the workflow challenges of managing large projects. She focuses on teaching efficient techniques that hold up under tight schedules and constant revisions.

Courses are enrolling throughout the year

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